When I used to do larger more orchestral arrangements, I was constantly getting dinged by the instrumentalists that while they were theoretically musically possible, certain runs or passages were very unnatural on the instrument that I scored them on.
For a long time I really hoped that some of the more professional notation tools such as finale would add in an ability to analyze passages and determine how realistic/natural they were for the instrument that they were set to.
When I used to do larger more orchestral arrangements, I was constantly getting dinged by the instrumentalists that while they were theoretically musically possible, certain runs or passages were very unnatural on the instrument that I scored them on.
For a long time I really hoped that some of the more professional notation tools such as finale would add in an ability to analyze passages and determine how realistic/natural they were for the instrument that they were set to.